spanish translation Archives - Amador Bilingual Voiceovers

The growth of the Hispanic population in the U.S. (17.4% of the population in 2014) has brought with it an increased demand for Spanish and bilingual content in all genres of voiceover, from commercials and explainer videos to Elearning, corporate narration, promos and more. And the increase in demand has brought an expansion of VO talent offering services in Spanish, from eloquent native speakers to people who took a little Spanish in high school.

I think anyone serious about doing Spanish or English-Spanish bilingual voiceover work would agree that a person shouldn’t sell themselves as Spanish-speaking talent if they’re not able to speak the language fluently, expressively and with an impeccable accent. In this regard, there are obvious advantages to hiring talent who were born and educated in a Spanish-speaking country.

But it’s not an absolute necessity. There are U.S. born Spanish speakers who are completely bilingual – native speakers of both English and Spanish, and able to switch effortlessly between the two.

Fully Bilingual = Value Added

In my career as a bilingual voice actor, my standard when voicing in Spanish is exactly the same as in English: perfect, native pronunciation and expression. I find that sometimes being a native English speaker is as important as being a native Spanish speaker. Being fully bilingual has its advantages.

It’s important to recognize a bad translation and to be able to make suggestions for correcting it. Sometimes English expressions are translated directly into Spanish; being familiar with the colloquialisms in English can make it easier to find the best way to express them in Spanish.
Some translation problems are due to grammatical errors or ambiguities in the source text. Having a complete command of written English makes these errors easy to recognize and correct.
In overdubs, translation errors can be due to the translator having misunderstood spoken English words due to the speaker’s accent or dialect. Being a native speaker of English enables me to understand many different accents (although I still watch “Masterpiece Theatre” with the subtitles on!)
For projects that need to fit into a specified duration, having a full command of both languages makes it easier to adjust translations to fit in time and still retain the meaning of the source copy.
It’s an extra perk for the client to be able to use the same voice in English and Spanish, and for both to sound natural and conversational.

Quality is What Matters

Given the number of Spanish-speakers in the United States, and as a matter of principle, the standards for Spanish and bilingual voiceover should be every bit as high as they are for English. For producers of content in Spanish, as in English, it’s important to find voice talent that speaks the language perfectly, whether that talent is “domestic” or ”imported”. There are two sides to “bilingual”. In some projects, mastery of English may be just as important as mastery of Spanish.

A recent spot we did in English & Neutral Spanish (starts at :31) for victims of the Boston Marathon bombing — Our spot in English & Neutral Spanish (starts at :31) for victims of the Boston Marathon bombing

As English/Spanish bilingual voice actors, we often receive inquiries and quote requests for Spanish voiceover of already-existing recordings in English. Sometimes the copy hasn’t been translated, and the client asks us to help with that, but more often than not, they provide some sort of translation.

That “some sort” can vary wildly.

At best, it’s copy that has been translated professionally, with consideration given to economy of language. A straight translation of English to Spanish often yields as many as 1/3 more words, and it’s nice for us not to have to race through it.

At the other end of the spectrum is copy that has been run through some sort of computer translator. While this technology is improving, it’s still a long way from being able to being able to produce a natural, intelligible translation. One of our co-workers once used Google Translate to help her understand an email in Spanish. The person writing explained that she had been on tour with her father’s band, which Google translated as: “I’ve been of tour with my potato’s orchestra.”

Between the extremes of professional translation and Google, we often see translations apparently done by someone, perhaps a co-worker or employee of the client, who speaks Spanish, but not always very well. Many Americans of Hispanic descent grew up speaking Spanish at home, but being educated in this country, they never learned to write correctly in Spanish, and often their vocabulary is limited to what they used as kids speaking to their parents.

We always encourage clients to have their copy translated professionally. It makes our job much easier, allows us to be part of a quality product that we can be proud of, and keeps them from wasting money on a professional recording of an unprofessional translation.

So, assuming I’ve made the case for a professional Spanish translation, the question arises: What kind of Spanish? The answer depends on the intended purpose and audience.

As in English, throughout the Spanish-speaking world there are many regional accents and dialects.

• Mexican Spanish is widespread, especially in the Southwest, California and Texas. Mexicans and people of Mexican descent comprise most of the Spanish speakers in the U.S.
• In South Florida, most Spanish speakers come from a Cuban background.
• In the Northeast one is more likely to hear accents from Puerto Rico, the Dominican Republic and Central America.

Recordings, especially commercials, targeted to a limited geographical area, may feature regional accents reflecting the majority Hispanic population of that region.

But what about material targeted at a national or international market? In the commercial and entertainment world, producers long ago figured out that to reach a wider audience it made sense to use Spanish that was not regionally-specific, but more universally understandable and acceptable. This is often referred to as “Neutral,” “Neutral Latin American,” or “Standard” Spanish. I avoid the term “standard”, as there’s really no such thing – what’s standard in Latin America can be considered wrong in Spain, and vice versa. Whatever term you prefer, this variant has the following characteristics:

• It avoids regionally-specific vocabulary* in favor of words understandable to anyone from the Spanish-speaking world;
• It avoids regional accents; and
• It tends toward a less inflected read, avoiding the “sing-songiness” that characterizes many regional dialects.

While there are appropriate uses for regional Spanish in voiceovers, the advantages of using Neutral Spanish for reaching a wide audience are obvious.

With a professional, Neutral Spanish translation, and a professional recording, you maximize the impact your message will have with the most people possible. And for those of us in the communication business, reaching people with an effective message is what it’s all about.

*Here’s an example of regionally-specific vocabulary, from a children’s song I wrote about flying kites. For some reason, there are almost as many words for “kite” in Spanish as there are Spanish-speaking countries.